Chord Theory


Modal or Power chords are a great alternative to majors and minors. They only use two notes - the root and the 5th - duplicated twice on the fretboard. Example of modal chord using G again:

1

3

5

G

B

D

Power Chord

Notes played

frets

A

AEAE

2200

B

BF#BF#

4422

C

CGCG

5533

D

DADA

7755

E

EBEB

9977

F

FCFC

10,10,88

G

GDGD

12,12,10,10

Above are the three notes for a major chord. Just taking G and D, missing out the third and repeating the notes twice - GDGD makes a modal chord. Because the third is missing, modal chords can't clash with either a major or minor so you can play them in place of either. They're usually easy to play and sound good accompanying other instruments. Left is a list of modal power chords using the same shape up the freboard.

OK, there's an advantage in the same shape being used up the fretboard, but the disadvantage is that you have to play high up the fretboard....... You can play inversions of the power chords to stay lower down. Right is a list of alternatives:

Chord

Notes played

frets

A

AEAE

2200

B

BF#BF#

4422

C

CGCG

5533

D

ADDA (inversion)

2055

E

BEBE (inversion)

4220

F

CFCF (inversion)

5331

G

GDDG

0053

Chord

Type

Notes played

frets

A

Power

AEAE

2200

B

Power

BF#BF#

4422

C

Major (2nd inversion)
with repeated 3rd

GECE

0230

D

Major (2nd inversion)
with repeated 5th

ADAF#

2002

E

Power (1st inversion)

BEBE

4220

F

Major (1st inversion)
with repeated root

AFCF

2331

G

Major with repeated root

GDBG

0023

In practice, you can play a mix of 5ths and major chords if you want to stay in the same area of the fretboard. Typically, one plays the chords opposite (left) so if this is your common chord set for the 'majors' you now know that they're a real mixture!